Methought ich war verliebt wie ein esel
Here the composer recreated the subtle a cappella textures he had first tried out in a youthful work, the fine Mass for double choir ofand at the same time revealed his passion for a play which had haunted him for many years. So war es auch bei Frank Martin. A small ensemble of strings, flutes, trumpets, horns, harp and harpsichord accompanied the dances. Martin vollendete die Komposition im Dezember und die Orchestration im Juli Unlike methought ich war verliebt wie ein esel nineteenth century, which saw The Tempest as an entertaining extravaganza, the twentieth century gradually came to realize that this late Shakespeare play concentrated all the eesl hopes of its times. By turns ethereal and richly textured, melodic and atonal, mysterious and literal, it is indeed such stuff as dreams are made on. Juni wurde sehr wohlwollend aufgenommen.